Kontinuitat By Max Bill.

Title

Kontinuitat By Max Bill.

Artist

Pablo Lopez

Medium

Photograph - Digital Image

Description

A close-up of the sculpture 'Kontinuitat' by the Swiss architect, artist, painter, typeface designer, industrial designer and graphic designer Max Bill. This sculpture, made in Sardinian granite, can be found in Frankfurt, Germany.

Bill was born in Winterthur. After an apprenticeship as a silversmith during 1924-1927, Bill took up studies at the Bauhaus in Dessau under many teachers including Wassily Kandinsky, Paul Klee and Oskar Schlemmer from 1927 to 1929, after which he moved to Zurich.
After working on graphic designs for the few modern buildings being constructed, he built his first work, his own house and studio in Zurich-Hongg. From 1937 onwards he was a prime mover behind the Allianz group of Swiss artists.

Bill is widely considered the single most decisive influence on Swiss graphic design beginning in the 1950s with his theoretical writing and progressive work. His connection to the days of the Modern Movement gave him special authority. As an industrial designer, his work is characterized by a clarity of design and precise proportions. Examples are the elegant clocks and watches designed for Junghans, a long-term client. Among Bill's most notable product designs is the "Ulmer Hocker" of 1954, a stool that can also be used as a shelf element, a speaker's desk, a tablet or a side table. Although the stool was a creation of Bill and Ulm school designer Hans Gugelot, it is often called "Bill Hocker" because the first sketch on a cocktail napkin was Bill's work.

As a designer and artist, Bill sought to create forms which visually represent the New Physics of the early 20th century. He sought to create objects so that the new science of form could be understood by the senses: that is as a concrete art. Thus Bill is not a rationalist, as is typically thought, but rather a phenomenologist. One who understands embodiment as the ultimate expression of a concrete art. In this way he is not so much extending as re-interpreting Bauhaus theory. Yet curiously Bill's critical interpreters have not really grasped this fundamental issue. He made spare geometric paintings and spherical sculptures, some based on the Mobius strip, in stone, wood, metal and plaster. His architectural work included an office building in Germany, a radio studio in Zurich, and a bridge in eastern Switzerland.

Uploaded

December 26th, 2016

Statistics

Viewed 7,234 Times  -  Last Visitor from New York, NY on 04/26/2024 at 9:10 PM

Colors

Embed

Sales Sheet