Uva Trifera, O Di Tre Volte, Vite Trifera, Viti Vinifera Vegetatione Insana, Vite D'ischia, Grape

Title

Uva Trifera, O Di Tre Volte, Vite Trifera, Viti Vinifera Vegetatione Insana, Vite D'ischia, Grape

Artist

Orchard Arts

Medium

Drawing - Hand-colored, Stipple Engraved Copper Plate

Description

Professionally restored, digitally remastered antique print titled: Uva trifera, o di tre Volte, Vite trifera, Viti vinifera vegetatione insana, Vite d'Ischia, Grape from Ischia by Giorgio Gallesio (and 20 other artist's) from Giorgio Gallesio's splendid book Pomona Italiana. This marvelous scientific botanical study is derived from a professional high resolution scan of the original hand-colored, stipple engraved copperplate print. The print was in fair / poor condition and needed many hours of restoration work. The restored print retains the same color, vibrancy and sharpness as the original had in went it was first made.

Title: Uva trifera, o di tre Volte, Vite trifera, Viti vinifera vegetatione insana, Vite d'Ischia, Grape from Ischia
Date Created / Published: 1817-1839: Pisa, Italy
Work Title: Pomona Italiana: Treatise of fruit trees containing the description of the best varieties of fruits grown in Italy, accompanied by figures drawn and printed from stipple engraved copperplate, then hand-colored. Pomona Italiana: Trattato degli alberi fruttiferi conteneate la Descrizione delle megliori varietáa dei Frutte coltivati in Italia, accompagnato da Figure disegnate, e colorite sul vero
Artist's: Giorgio Gallesio (1772-1839), Domenico del Pino, Antonio Serantoni, Isabella Bozzolini, Giuseppe Pera, Giuseppe Carocci, Tommaso Nasi, Francesco Corsi, Sandra Raphael: Restoration by Orchard Arts
Publisher: Niccolò Capurro (1817-1839), Pisa, Italy

At Orchard Arts we have over 15 years experience doing museum quality restorations of negatives and prints.

At Orchard Arts we create digitally remastered, museum quality fine art restoration prints that are faithful to the original paper quality, color fidelity, sharpness and period correct typeface metrics. Restoration is done by careful color analysis, color correction, high magnification spotting and repair of the print surface. Repositioning of the plate typefaces and image cropping is done to better accommodate the final print size and for aesthetic appeal. The final restoration print is made with archival pigment ink on acid free fine art paper. The results are museum quality prints that have the same richness, longevity and fidelity as when they were first made.

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March 23rd, 2019

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