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Ab Urbe Incognita
Biomorphic architectures sprouting out from apparently dead structures; enigmatic archways leading to darker or brighter alleys crowded with memories or wasted by nihilist premonitions; shimmering staircases introducing to hermetic doors protecting truths inconceivable by rational knowledge; retro-avangardist thresholds inviting to eerie interiors encrusted by ambiguous entities unable to reveal their real nature; dizzy shadows protruding from oceans of silent skyscrapers erected on the uniform oddity of modern-day society. Still bigger and far more frightening than the entire world wide net and any imaginable artificial intelligence, the human brain can unfold never-ending cityscapes where each feeling, emotion, thought, idea and fantasy lives as a tormented inhabitant looking for a way to draw the definitive map of a place without definition (a concept that Fantini started to develop many years before Nolan could give a cinematic rendering of it in his movie - Inception - ). These paintings are just some of the most evocative samples of the many ones Alessandro Fantini worked out during his relentless quest for the cartography of the Unknown.
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