Rosa Eglanteria, Rosier Eglantier, Rosa Berberifolia, Eglantine, Sweetbrier Rose, Plate 14

Title

Rosa Eglanteria, Rosier Eglantier, Rosa Berberifolia, Eglantine, Sweetbrier Rose, Plate 14

Artist

Orchard Arts

Medium

Drawing - Hand-colored, Stipple Engraved Copper Plate

Description

Professionally restored, digitally remastered antique print titled: Rosa Eglanteria, Rosier Eglantier, Rosa Berberifolia, Eglantine, Sweetbrier Rose, Plate 14 from Henri Louis Duhamel du Monceau's marvelous book Traite des arbres et arbustes qui l'on cultive en France en pleine terre (Treaty on trees and shrubs that are grown in the land of France). This marvelous scientific botanical study is derived from a professional high resolution scan of the original hand-colored, stipple engraved copperplate print. The print was in fair / poor condition and needed many hours of restoration work. The restored print retains the same color, vibrancy and sharpness as the original had in went it was first made.

Title: Fig. 1. Rosa Eglanteria = Rosier Eglantier. Fig. 2. Rosa Berberifolia. (Eglantine, Sweetbrier Rose - Rose single), Plate 14
Work Title: Traite des arbres et arbustes qui l'on cultive en France en pleine terre (Treaty on trees and shrubs that are grown in the land of France)
Creator: Duhamel du Monceau, 1700-1782
Date of publication: 1800-1819
Publisher: Paris: Didot aîné: Michel: Lamy, 1800
Author: Henri Louis Duhamel Du Monceau; Charles François Brisseau de Mirbel; Jean Loiseleur Deslongchamps; Etienne Michel; Pierre Joseph Redouté; All authors

At Orchard Arts we have over 15 years experience doing museum quality restorations of negatives and prints.

At Orchard Arts we create digitally remastered, museum quality fine art restoration prints that are faithful to the original paper quality, color fidelity, sharpness and period correct typeface metrics. Restoration is done by careful color analysis, color correction, high magnification spotting and repair of the print surface. Repositioning of the plate typefaces and image cropping is done to better accommodate the final print size and for aesthetic appeal. The final restoration print is made with archival pigment ink on acid free fine art paper. The results are museum quality prints that have the same richness, longevity and fidelity as when they were first made.

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March 23rd, 2019

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