Masquerade Beauty

Michele Avanti

#186 of

Michele Avanti

Roseburg, OR

$13.00

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Title

Masquerade Beauty

Artist

Michele Avanti

Medium

Mixed Media - Collage Mixed Media

Description

Masquerade Beauty a mixed media collage by Michele Avanti

Recently I had the opportunity to take a workshop by a collage master and this is one of the pieces I created when asked to paint a face. Her head-dress is made from a used coffee filter, while her masked face and patch on a stick are from sewing pattern scraps. What fun to use things that people throw away. I hope you enjoy it.

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A masquerade ball (or bal masqué) is an event in which the participants attend in costume wearing a mask. (Compare the word "masque"—a formal written and sung court pageant.) Less formal "costume parties" may be a descendant of this tradition. A masquerade ball usually encompasses music and dancing. These nighttime events are used for entertainment and celebrations.

Masquerade balls were a feature of the Carnival season in the 15th century, and involved increasingly elaborate allegorical Royal Entries, pageants, and triumphal processions celebrating marriages and other dynastic events of late medieval court life. The "Bal des Ardents" ("Burning Men's Ball") was held by Charles VI of France, and intended as a Bal des sauvages ("Wild Men's Ball"), a form of costumed ball (morisco). It took place in celebration of the marriage of a lady-in-waiting of Charles VI of France's queen in Paris on January 28, 1393. The King and five courtiers dressed as wildmen of the woods (woodwoses), with costumes of flax and pitch. When they came too close to a torch, the dancers caught fire. (This episode may have influenced Edgar Allan Poe's short story "Hop-Frog".) Such costumed dances were a special luxury of the Ducal Court of Burgundy.

Masquerade balls were extended into costumed public festivities in Italy during the 16th century Renaissance (Italian, maschera). They were generally elaborate dances held for members of the upper classes, and were particularly popular in Venice. They have been associated with the tradition of the Venetian Carnival. With the fall of the Venetian Republic at the end of the 18th century, the use and tradition of masks gradually began to decline, until they disappeared altogether.

Masquerade ball at Château de Hattonchâtel, France.
They became popular throughout mainland Europe in the 17th and 18th centuries, sometimes with fatal results. Gustav III of Sweden was assassinated at a masquerade ball by disgruntled nobleman Jacob Johan Anckarström, an event which Eugène Scribe and Daniel Auber turned into the opera Gustave III. The same event was the basis of Giuseppe Verdi's opera A Masked Ball, although the censors in the original production forced him to portray it as a fictional story set in Boston. Most masks came from countries like Switzerland and Italy.

(Notes sourced from Wikipedia)