New Fuji, Meguro

Title

New Fuji, Meguro

Artist

Utagawa Hiroshige

Medium

Painting

Description

New Fuji, Meguro by Utagawa Hiroshige. The name “Meguro”, meaning “black eyes”, derives from the Meguro Fudō (Black-eyed Fudō-myōō) of Ryūsenji. The Meguro Fudō was one of five Fudō-myōō statues placed at strategic points on the outskirts of Edo in the early seventeenth century by the abbot Tenkai, an advisor to Tokugawa Ieyasu, to provide protection for the new capital of the Tokugawa shogunate. Each statue had eyes of a different color. (Mejiro, a district in Toshima ward, is named for the white-eyed Fudō-myōō). Utagawa Hiroshige Japanese 1797 – 1858, was a Japanese ukiyo-e artist, considered the last great master of that tradition. Hiroshige is best known for his horizontal-format landscape series The Fifty-three Stations of the Tokaido and for his vertical-format landscape series One Hundred Famous Views of Edo. The subjects of his work were atypical of the ukiyo-e genre, whose typical focus was on beautiful women, popular actors, and other scenes of the urban pleasure districts of Japan’s Edo period (1603–1868). The popular series Thirty-six Views of Mount Fuji by Hokusai was a strong influence on Hiroshige’s choice of subject, though Hiroshige’s approach was more poetic and ambient than Hokusai’s bolder, more formal prints. Subtle use of color was essential in Hiroshige’s prints, often printed with multiple impressions in the same area and with extensive use of bokashi (color gradation), both of which were rather labor-intensive techniques.

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November 27th, 2021

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